今夜的月光讓我想起多年前寫下的經驗:
做完輔導工作的午後,本想去做運動,但因身體還沒有完全康復,在沙發上猶豫該休息或運動時,好久沒看電影了忽然浮上自己的意識。於是就看看有什麽電影,坂本龍一：CODA，時間感覺都指向這套電影。好喜歡這位在生活上汲取不同聲音,將它們與自己的音樂放在一起,在協調與異調間游走,刻劃出生命之美的音樂家。是的,藝術本就是有能力將差異、自然人造、感性理性。。。很美地放在一起.好喜歡他將生命的思考感悟、社會議題、還有生活上瑣碎的聲音放在一起。當他細訴著Paul Bowles的文字怎樣感動他,促使他創做 Full Moon,不免想起 Dead Poet society 的汲取每一天!是的靜觀本身就是珍惜生命的每一刻,讓自己每一刻都受他者自己觸動,有感覺地生活!喜歡自己隨著感覺的選擇，離開戲院時也沒那麽累了，自在地帶了三小時的小組。
Death is always on the way, but the fact that you don't know when it will arrive seems to take away from the finiteness of life.
Because we don't know when we will die
we get to think of life as an inexhaustible well
Yet everything happens only a certain number of times
And a very small number really
How many more times will you remember a certain afternoon of your childhood
Some afternoon that is so deeply a part of your being that you can't even conceive of your life without it?
Perhaps four, five times more
Perhaps not even that
How many more times will you watch the full moon rise?
Perhaps 20, and yet it all seems limitless (Paul Bowles )
我們所痛恨的就是如此可怕的準確性
但因為我們不知道死亡何時到達
所以會把生命當成一座永不干枯的井
然而，所有事物都只出現一定的次數，並且很少，真的
你會想起多少次童年中
某個特定的下午
某個深深成為你生命一部分的下午
如果沒有它，你甚至無法想像自己的人生
也許，四或五次吧
甚至可能沒這麼多
你會看到滿月升起幾次呢?
也許20次，然而這些都看似無窮
